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Joined 1 year ago
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Cake day: August 3rd, 2023

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  • The context is important here - Australia had a continuous indigenous population for over 60,000 years before white settlement. White Australia never had an agreement with indigenous peoples at large, and through relentless expansion of colonies, spreading diseases like smallpox, introducing alcohol and drugs, forcibly abducting and schooling children, heavy incarceration and a slew of other typical British colonial shit ended up leaving them disenfranchised, alienated, and excluded. Indigenous Australians prior to colonisation had a deep affinity with the land and tended it like custodians, but because they didn’t build towns or farm like Europeans, they were just swept aside without ever really being acknowledged or addressed.

    The Voice was asked for as a product of the Uluru Statement of the Heart - not long, worth a read- https://ulurustatement.org/the-statement/view-the-statement/

    It was really first and foremost about having an acknowledgement that maybe, just maybe, the settlers cocked things up and that it’d better to fix things together. It’s not asking for anything “more” or extra, it’s about correctly telling history and reframing our national dialogue to be coming from a place of partnership, instead of colonialism, so we could fix some of the very real issues modern Australians face as a result of hundreds of years of callous racism. It was a chance for white Australia and government to really listen and maybe find better ways of doing things.

    But now instead we get to try to explain to our kids why 60% of the country don’t think representation or inclusion matters while indigenous Australians will continue to struggle without a government that can listen to them.




  • Where it gets really challenging is that LLMs can take the assignment input and generate an answer that is actually more educational for the student than what they learned d in class. A good education system would instruct students in how to structure their prompts in a way that helps them learn the material - because the LLMs can construct virtually limitless examples and analogies and write in any kind of style, you can tailor them to each student with the correct prompts and get a level of engagement equal to a private tutor for every student.

    So the act of using the tool to generate an assignment response could, if done correctly and with guidance, be more educational than anything the student picked up in class - but if its not monitored, if students don’t use the tool the right way, it is just going to be seen as a shortcut for answers. The education system needs to move quickly to adapt to the new tech but I don’t have a lot of hope - some individual teachers will do great as they always have, others will be shitty, and the education departments will lag behind a decade or two as usual.


  • Way I see it a hammer is a tool, like a paintbrush or a camera or Photoshop or chatGPT.

    If you use the hammer to break a plate and call it art, you get the copyright.

    If you set the hammer up on a machine and feed it a million plates to smash, but with your direction and intent - to choose the types of plates, speed of the hammer, to use the tools to output different results - its still art and you still get the copyright.

    But if your hammer sits inside a Platesmasher 9000 which randomly takes plates as input, selects which plates to smash, smashes them, assesses the results, smashes more, then outputs a perfect smashed plate without you doing anything - that’s not copyright able. You can’t sya you deserve the copyright, as you did not meaningfully contribute to the work - the Platesmasher did everything. You cant point to the output of the system and say “the system made that and deserves copyright” because it’s just an algorithm, it doesn’t know or have intent behind what it’s doing, and can’t be assigned a right.

    What this does is stop corporations from building a million Platesmashers and claiming copyright on a billion versions of smashed plates - human intervention is required as part of the creative process to use the tools in order for there be a right in the first place.