She did have therapy, which probably helped a little, it’s hard to know. I’ve never heard of postpartum rage before but that does sound like it, thanks so much for that link.

I won’t tell my whole story but things were pretty bad for me. When we had a baby my wife quickly changed from a lovely person to just being abusive all the time. Abusive to me and the baby all the time, and told me it was my fault she was behaving that way, and telling me I should stop getting sad and offended because me getting sad is abusive, and that I shouldn’t try to stop her being abusive to the baby, and I can’t stop her being abusive to the baby. Then when our baby was older she would react to her mum’s temper by sending me away and screaming at me to leave. I often had to make a choice between just walking away from my wife being screaming abusive to our child or pushing through and intervening even when they both screamed at me that they just wanted me to leave, which is what I always chose. Years of that has irreversibly mutilated our relationship. We’re still together but we’ll never be the same. Our child is nearly three now and has only recently stopped asking me to go away, and become very affectionate. My wife has been very slowly returning to someone I recognise, only losing her temper a few times a week, which is what I prayed for but it can’t undo the damage.

Yes, to an extent, which is positive. I don’t know too much about the steam deck side of things, but I don’t get the impression that it’s got enough PC market share to do that. I have a steam controller and last time I used that (admittedly years ago when it was still pretty new) I found Steam Input really didn’t have good defaults at all, despite what they said. The only sort of good defaults had the drawback of just ignoring most of the device’s USPs. It was bad, and community profiles weren’t good either. Maybe it got better?

Honestly I prefer console to PC so much, even as a fediverse user, linux user, someone who has a degoogled phone and uses a home server instead of a cloud, because I just hate having to worry if games are compatible with my hardware, or if controllers are compatible with my game, or if graphical oddities in my game represent supernatural parts of the story or that I didn’t install the right NVidia driver. When it comes to games, which are leisure, I find I just can’t relax with PC games like I can with console games. As for emulation, I can’t enjoy my games like that at all becuse the worry that settings are wrong or emulation is wrong is just too much like work. So I love my switch and I’ll probably love my switch 2 one day.

Can you share the full story of the projects that you could predict could fail using maths?

Donkey Kong 64 is excellent, with amazing personality, great music, and great playable characters, but the minigames are sometimes a little janky and you have to love the characters, music, levels and aesthetics if you’re gonna be happy with all the backtracking.

So @CleoTheWizard as a “before you play” tip for Donkey Kong 64, know that there are five playable characters and you can switch at “tag barrels” and basically every collectible, item and action in a level only works for the right character. This keeps you engaged with all characters and the different ways they move but plenty of people understandably dislike the backtracking that comes with it. Most of all remember that less than half the collectibles are required to beat the game so don’t backtrack too much unless you want to, and consider playing the latest version of the "change kongs anywhere " romhack which lets you change characters with a button instead of a trip back to a tag barrel, it’s a very very well done romhack now.

Yooka-Laylee is clearly a spiritual successor but also clearly not as good as Banjo Kazooie. In many aspects it’s just slightly worse: There’s less personality, clunkier movement, less good music, the humour is less funny. Perhaps the largest downgrades are the collectibles placement and the world size. The positioning of collectibles is not so much beckoning you towards exploration and platforming challenges, as it was in BK, but instead it’s just putting things in arbitrary places. The world size is a downgrade in the sense that the worlds are larger, yes, MUCH larger, but also more empty and it simply means you spend more time holding forward on the stick waiting for the next bit of gameplay. Banjo Kazooie beats the other 3D platformers by this team because it’s comparatively fast-paced (not as in adrenaline but as in giving you lots of new things to do every minute and has very little backtracking), and it has the strongest music, theming and humour. As an N64 game, the controller had four directional buttons and most modern takes map these to an analogue stick which works very badly, but that’s not the game’s fault. I bought a controller for emulating N64 games that has enough buttons to avoid this. Yooka-Laylee wins on graphics. If anyone prefers YL to BK I’d love to hear why you feel that way.

The human checkout gives a better service but the shop does not charge me differently for different checkouts. For shoppers, the equation is simple.

Okami is “Zelda-like” in its kind of medieval fantasy, action-adventure presentation, and in the way towns and NPCs feel, and perhaps in some of its bosses, but really it’s not all that much like a Zelda game. Okami is an quite standard all-ages real-time-battles RPG, whereas Zelda usually have no RPG mechanics - usually Zelda enemies are defeated in just one or two hits, with little or no stats, points or inventory. Zelda games usually have a lot of focus on puzzles and dungeons, or dungeon-like outdoor areas, whereas Okami has no puzzles. On the other hand Okami is obviously very steeped in (often silly or humorous) Japanese folklore, whereas Zelda is very much less wacky and often a little more emotional and dramatic, and has its own bespoke theming.

I liked Okami but I felt it was paced really quite slowly, and the battles/enemies were a little too RPG-like for my taste, as in taking quite a lot of real time for even weak enemies. I felt it lacked the mechanical polish that Zelda usually does: I felt generally the movement was a little slow and difficult (except in very open areas) and most disappointing of all was the frankly poor recognition of what brush move I’m drawing.

I don’t mind what sex my character is, my character is not me and I don’t see why I would mind what sex my character is. Like, especially in a video game, the scenario is usually quite fantastic and nothing that my character does (e.g. acrobatics, shooting, running for more than 18 seconds without collapsing out of breath, etc.) gives me a sense that they are a version of me. My character should be whatever the writers thought would be most appropriate for the themes or story or whatever.

(I did not watch the linked video)

Thanks

Yeah, just think that while the game awards were congratulating people and social media was abuzz looking back on the gaming year, a lot of the people who actually made those games were already laid off, watching that from the outside, at home. A reminder of something they want forgotten: that employees are not people or even team members, they are “human resources” of the shareholders.

Something was stolen - they were giving out copies of Link’s Awakening, not just the enhancements they made but the game and art content of the original game, which is Nintendo’s IP so it is piracy (not to dispute the rest of what you’re saying necessarily though). Projects normally get around this by releasing the fan enhancements as a patch that can be applied to a ROM, shifting the piracy from the project to the end user.

The event costs is embezzlement -the donations were taken with a promise they wouldn’t be spent on that, and paying for the event means paying for content for his channel, paying to promote his channel, paying to expand his subscriber base, etc.

Compare it to a non-charity event on his channel. He makes content, he takes the money from subscriptions. A “charity event” would then be when he makes content and instead of taking money from subscriptions, he donates it. If the “charity event” is still him making content, and him still taking money from subscriptions, then that’s more like a non-charity event. Even if a donation is made with some of the money then the event is still a non-charity event in the sense that he said he was donating the event itself, i.e. not being compensated for it - if he’s being compensated for the event then he didn’t donate “the event”, he was employed for the event.

Also, as I understand it, $600,000 is not all the money. Already last year’s tax filings showed more capital than that. The charity also has some money deducted for “costs” that is not broken down, and although I’m an outsider it doesn’t seem very cool because the charity hadn’t actually been doing anything so I can’t imagine donors feeling like costs of that size are warranted.

I heard that it’s an internet joke that his character asks for donations, in fact what he actually says in-game is something else.

This video was almost entirely excellent but I was so disappointed to see Karl cross over into being rude and unprofessional in a couple of places. I want micro-documentaries, not youtuber fights.

What do you think of 3? I just couldn’t get into it and I think it’s that the 3D camera just makes it harder to see what you want to see and select what you want to select, as opposed to 1/2 where that was so effortless. That bad feeling stopped me from trying it thoroughly.

Think outside the box. The remake could have support for up to 10 brothers, so long as you connect that many analogue sticks, and you control one per finger. Add a character creator, enhance it to a strand type game, support for more languages, skill-based online co-op, and reimagine it as an open-world sandbox. :')

I found the gameplay of GTA 4 and 5 to be “drive across town to watch a custscene” at their core, but GTA4 is very enjoyable if you a) relax into it, stop trying to take control and just accept that you’re kind of playing a movie, and b) get good at the driving, which has a surprisingly high skill ceiling. The feeling of just running errands won’t fully go away but the story builds and the missions get more exciting.